By Tina McElroy Ansa
(From Amazon) Three black sisters reunite in their Georgia hometown to embrace,
scream, smoke, contemplate suicide, and swap clothes while preparing for
their mother's funeral--in a rambling follow-up to Ansa's Baby of the
Family (1989).
Esther Lovejoy has died at last, and her three daughters-
-Betty, the ultra-reliable owner of a pair of beauty salons; Emily, the
lonely, unstable researcher who longs for love; and Annie Ruth, the
pretty youngest whose job as an L.A. TV anchorwoman is driving her
nuts--rush home to begin rehashing their traumatic childhood memories in
the hope of laying them to rest. Ruled with an iron hand by Esther, who
insisted they call her "Mudear'' (baby talk for ``my dear''), the
three Lovejoy girls learned the hard way to hold their heads high, work
hard, and, whatever happened, never to trust a man--even while Mudear
herself spent her days as a voluntary shut-in, watching TV, taking naps,
and wearing negligees while her husband worked in the chalk mines to
support her.
Tormented by a mother whose belief that "she was above the
laws of God and man,'' to say nothing of her habit of gardening only by
moonlight, caused tongues to wag all over town, the Lovejoy girls
nevertheless grew up to forge successful, independent lives while their
father faded into the background, muttering about "womens taking over
[his] house.'' As each daughter (and, occasionally, the shrill, judgemental ghost of Mudear herself) recollects those long- gone years,
the source of Mudear's familial power is revealed, the daughters'
lifelong resentments aired, and the father's suffering at last relieved,
resulting in a happy funeral for one and all.
1 comment:
Speaking of black authors, I recently discovered the history behind the author of my all-time favorite book: The Count of Monte Cristo. I got the audio book version of The Black Count, by Tom Reiss. Fascinating stuff!
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